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Welcome to the world of mansploitation fiction by M.N. Manmacker! It’s a series of linked stories involving man-on-man action in a world full of homoerotic situations, alpha males and raunchy, filthy rutting!

Welcome to the world of mansploitation fiction by M.N. Manmacker! It’s a series of linked stories involving man-on-man action in a world full of homoerotic situations, alpha males and raunchy, filthy rutting!

Content on this website includes pictures and videos that contain adult content. Written material (excerpts, etc.) may contain adult content, including offensive material, nonconsensual sex and other topics you may find objectionable. You must be at least eighteen years of age to visit this website.

Comments, questions and requests can be sent to MNManmacker@proton.me or sign up for the mailing list to keep abreast of new releases.

What does “mansploitation” mean?

À la 70s femsploitation and blaxsploitation movies, mansploitation stories emphasize masculine gender roles in ways that are sexy beyond belief!

Mansploitation stories use a floating, mobile timeline, like a classic cartoon or sitcom.

1: That means time moves forward but the characters mostly don’t — in other words, a college student character will always be a college student, even as the year changes. References and technologies will advance as well. This is a floating timeline.

2: Stories are set in various locations, characterized principally by the bar Lipsweet. For example, when Lipsweet is in Martinsburg, West Virginia, it is a rough-and-tumble strip club dominated by rednecks and hicks in the modern day. When Lipsweet is in Santa Monica, California, it is a modern-day cholo bar. When it is in Baton Rouge, it is a 1930s speakeasy , and when it is in Los Angeles, it is a beachfront bar in the 1980s. The characters will be translated to each setting but will remain mostly the same. Some storylines will unfold along different times and places. This is a mobile timeline.

3: Don’t worry too much about continuity. Some developments, mainly new characters, continue into future stories. But mostly, characters and situations reset in each new story. I try to keep character details consistent, but I have lots of oopsies (e.g., characters changing surnames, etc.). It’s a multiverse thing, deal with it.

Mansploitation stories have subtitles.

The subtitles are formatted like this: “A Lifelong Bachelors Mansploitation Novel” or “A Forceful Alphas Mansploitation Novella”.

$1.99: <10k short
$2:99: 10k story
$3.99: 15k noveletta; 20k novelette
$4.99: 30k novella; 40k novel
$5.99: 50k novellota
$6.99: 60k epic novel
$7.99: 70k epic novel
$8.99: 80k epic novel
$9.99: 90k epic novel

(These prices were updated in January 2026. Older books were not updated to the new pricing scheme.)

Bundles are priced as the total of their components minus two dollars per story, to a minimum of $1 each.

Hazing & Hijinks: homoerotic situations, hazing, bullying, initiations

Married Men with Double Lives: men married to women but messing around with other men

Forceful Alphas: strongly nonconsenting sexual activity

MM Str8rom: man-on-woman romance with man-on-man sexual activity

Twink on Top: slim, small, usually feminine men who end up topping big, tough alpha males

Actives and Passives: men who are seductively flamboyant and who seek out or are sought out by big, tough, masculine men

Rough Trade: men who engage in man-on-man action for money or other considerations

Lifelong Bachelors: men who pursue, compel and/or convince uber-macho alphas to top them

More specific niches are called “ultra”. These are priced $2 more expensive than they would otherwise be based on the word count.

Ultra-Foot Worship: foot and shoe/boot stuff

Ultra-Gutpunching: gut punches, some trampling, that kinda thing

Ultra-Raunchy: real dirty stuff, hobos, piss, rimjobs, etc

Mansploitation stories have pictures!

Most stories feature pictures, which are generated by AI. AI produces far superior images for my purposes compared to stock photo.

While images are intended to bring to mind a specific character, they don’t exactly correspond to descriptions in the book. That’s partially because AI isn’t real precise with things like ages, hairstyles and tattoos, but also it simply provides a little variety, so readers don’t feel locked in to a look that may not be their ideal. In any case, just like with stock photos, think of it as less the “actual look” of a character and more a head shot of an actor who could play that character — i.e., hair and makeup will change, they might be a little off in various ways, but they have the right attitude, atmosphere and ambiance to represent the character.

‘All books’

Here you’ll find all of my books in (hopefully) auto-updating lists, organized in various ways for your delight and amusement.

All free one-chapter shorts

All free multi-chapter stories

All non-short stories

All Avery Flowers shorts and stories

All Bart Dazzle shorts and stories

All Buck Sampson shorts and stories

All Rob Winthrop shorts and stories

All Wendell 'Thumper' White shorts and stories

Ralphie Whitehall

Ralphie Whitehall stood there like a bronzed Greek god. He was a quarterback from Cleveland, Ohio, and he had a foppish mop of blond hair that he was always running his fingers through. He had a perfectly tapered waist with a six-pack that looked like it was created in a lab. He had the air of a model who played a quarterback in a cheesy movie. Ralphie touched his nose. It was kind of big, not really in a standout way, not enough to make him ugly, but it was the closest thing to a distinctive and unattractive feature Bart could see on him in the spur of the moment. Other than that, he was just Generic Blond Hunk #44 at Camp Ramwide.

From The Fat Football Jocks of Cabin M

The Fat Football Jocks of Cabin M

Bart works at the premier college football camp in North America, and he oversees Cabin M for Massive! That’s the kind of men in his cabinn, massive linebackers and linemen who need his tender twink touch. Can Bart satisfy their weighty needs?!

Read it now as an ebook!

Italians

Truck very much disliked hairy honkies. White men oughta shave. A little chest hair is fine, but any more than a classy treasure trail was barbarism. White men oughta know better.
Italians do not know better, however. Not knowing better is what it means to be Italian. Truck did not like Italians.

From The Reluctant Thug

The Reluctant Thug

The Reluctant Thug

When Truck has to bodyguard a gangbanger during negotiations at a sauna, he thought he was gonna get a happy

Continue reading The Reluctant Thug

Book pages, Lifelong Bachelors, Lipsweet of Baltimore
The Cocky Guido

The Cocky Guido

Avery is at the Jersey Shore, where he finds himself servicing a cocky guido named Freddie. He can’t get enough

Continue reading The Cocky Guido

Book pages, Lipsweet of the Jersey Shore, Rough Trade
The Cocky Pimp Bottoms

The Cocky Pimp Bottoms

Jay Bone is a pimp who only lets one man cut his hair… the twinky barber Desmond, who’s also willing

Continue reading The Cocky Pimp Bottoms

Book pages, Lipsweet of Baltimore, Twink on Top
The Cook

The Cook

Avery is after a hunky waiter, but when he gets shot down, he finds himself servicing a perfectly chunky cook

Continue reading The Cook

Book pages, Lipsweet of the Jersey Shore, Rough Trade

Pauly Rosso

The muscly Italian, Pauly Rosso, was pudgy too but strong as hell, built like an Olympic discus thrower or maybe like an infected discus. Pauly was burly, hairy, offputtingly grizzled, sitting behind his boss with his legs spread wide, big fat cock resting sweatily against his hairy thigh.

From The Reluctant Thug

Cookie jars

“I wanted to show you something and see what you thought-” Rob busied himself with opening his briefcase. It was only two latches, but he wanted to make Mr. Maltley wait, so he pretended to have trouble with it. “Ah, there we go.” He lifted up a beautiful ornate cookie jar and placed it in his lap. It was a panda bear, arms and legs wrapped around a bee whose body was the actual jar. Its insectoid eyes were the lid, giving it an sinister vibe that was counteracted by the jolly bear with its amygdaliformic eyes.
Up until this moment, Rob had thought of the jar as just a tool to get what he wanted out of Mr. Maltley. It didn’t even occur to him to wonder why a cookie jar might be important or valuable or that it might really have an artistic statement. Once he pulled it out of the briefcase, however, he briefly saw it in the same light that Mr. Maltley did, and it made him feel flush with fear, disgust, comfort, humor, hunger, warmth, cold, all at once. It hummed and buzzed and rolled and frolicked, and when he touched it, Rob was struck with sunny warmth and the comfort of a hug, and the smell — no, not the smell, the feel, the vibe — of fresh-baked cookies wafted through his senses. The cookie jar brought him back to a childhood he’d never had, and for a moment that his mind constructed into an eternity, Rob saw the passage of his life, but not his actual life, his life if he had been born to the kind of mother who baked cookies and put them in a jar like this. He saw flashes of himself as a child, helping her cook, sneaking cookies, baking them for her for Mother’s Day, binging on them in his teenage years, eschewing them as baby-stuff, receiving the jar as a gift and filling them with his own cookies to dole out to the children this imaginary Rob presumably had, just out of sight.
He was almost reluctant to give it up. But that was the only reason he bought it, the only reason he brought it here. Of course he was going to give it up.
“It doesn’t need to be gorgeous. You don’t understand. A cookie jar is not just a place to store cookies. It is a living, breathing piece of art, a piece of childhood set in a fixed form. It is more than you can dream of, little man,” Mr. Maltley said.

From The Cookie Jar Collector

Prateek Nayka

“Hello, I’d like to see Jonathan Maltley,” said Rob Winthrop. He smiled at the receptionist, who was a slim-faced loam-eye with a thin, shrill voice that made him seem less handsome once you heard it. He looked like a turtle that lost its shell in a kiln, and you could tell he didn’t have enough testosterone to grow the mustache he thought he deserved.
“Do you have an appointment?” asked the annoying assistant with a wrinkle in his nose like Rob should have already known all this. He sat back in his chair as though he was overlooking his empire, which he was, but ‘his empire’ was this waiting room. Least regal emperor ever. Your average emperor penguin is more commanding. The assistant soured up in Rob’s direction.
“Hmm-hmm.” The assistant smiled politely, which just made his rat-like face more weaselish. If he knew how he looked when he smiled, he’d never do it. “What can I tell him this is concerning?”

From The Cookie Jar Collector

Jonathan Maltley

He was broad-shouldered and thick, black-haired but with a few silver roots as though he dyed it and needed to redye it soon. Rob was fine with him like that, since he liked the older men who maintained powerhouse physiques, especially in fine Italian suits. Mr. Maltley was an eyebrow captain, but a handsome one. In an earlier era, he’d have been a salty seadog with a well-weathered face. Instead he was smooth and rugged like a painting of a horse.

From The Cookie Jar Collector