It was a chaotic panoply of monochrome — all black — yet it seemed somehow more vibrant than it had any right to be. It was sturdy like a tool, solid like its sculptor, with a bewildering firmness like a mountain. But it had wiggled when Avery leaned on it, and now it gently swayed in the delicate breeze from the far-off industrial fan that kept this basement cool. It was a plow at heart — an old design, an ancient and functional workhorse that looked already as though it had been used in the fields — but it had the looping whorls, looming grandeur and shimmery sheen of modern space-age materials. Its curves echoed of timelessness, the past and the future leading together into a present that made this very moment feel like a lifetime.
Then he turned around and gripped the metal thing Thickman had been welding — was it a plow? It kind of looked like a plow, but Avery assumed that couldn’t be right. Why would any modern-day American human weld a plow? Weren’t they made in factories? In… presumably like Vietnam or something? Avery didn’t know. But he assumed they weren’t made by one middle-aged American with a welding torch in a college basement.
“What is this?” Avery finally asked as he jutted his ass back. It hit Thickman’s cock, and he rubbed it up and down — teasing him once more by making it difficult to aim for his hole.
“What is what? That’s my dick-“
“No, this… thing I’m leaning on,” Avery said. He rattled the plow-like collection of steel. “What is it?”
“Oh. It’s a sculpture,” he said. “It ain’t done.” He slipped the tip into Avery’s ass, then wrapped one arm around Avery’s neck to keep his head in position. His other hand brusquely spread Avery’s asscheeks.
…
Now that he wasn’t getting cornholed, Avery could take a closer look at the sculpture. It was intensely complex, with different kinds of welded joints combining each piece of steel. Some of the steel was more polished than other steel. There was a pattern to it, something consistent in the seemingly haphazard collection of steel beams and rods.
It was a chaotic panoply of monochrome — all black — yet it seemed somehow more vibrant than it had any right to be. It was sturdy like a tool, solid like its sculptor, with a bewildering firmness like a mountain. But it had wiggled when Avery leaned on it, and now it gently swayed in the delicate breeze from the far-off industrial fan that kept this basement cool. It was a plow at heart — an old design, an ancient and functional workhorse that looked already as though it had been used in the fields — but it had the looping whorls, looming grandeur and shimmery sheen of modern space-age materials. Its curves echoed of timelessness, the past and the future leading together into a present that made this very moment feel like a lifetime.
From The Basketball Coach
